【video of sex position the jackhammer】

The video of sex position the jackhammerTodd Bieber deprivation nightmare is finally over.

Justin Bieber cruelly deleted his Instagram account just after welcoming the fluffiest creature mankind has ever known into his life: a "dog" named Todd.

"How are you real?" asked Bieber in a now-deleted Instagram video, speaking for all us. And when Biebs deleted his account, he left us wondering if the cherubic pup was, in fact, just the sweetest dream we had ever known. But now Todd has his own own Instagram account, @ToddThe Stud.

SEE ALSO: Justin Bieber will probably return to Instagram, if he's anything like other celebs

Todd only has one post so far -- a modest introduction. "Hey, it's me, Todd." He's already racked up more than 15,000 followers in just a matter of hours, because look at that face.

Mashable Trend Report Decode what’s viral, what’s next, and what it all means. Sign up for Mashable’s weekly Trend Report newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up!

View this post on Instagram

Can you even imagine what Todd cuddles are like? Here's Todd in Bieber's arms, soothing away the sting of this cruel world.

Original image has been replaced. Credit: Mashable

The world was alerted to Todd Bieber's Instagram presence via his sister, Esther, who is already a social media star. Esther posted a sweet shot of the siblings keeping each other company.

View this post on Instagram

You can also keep up with Todd by following Sofia Richie on Instagram and Snapchat.

View this post on Instagram

You can also be assured that Mashablewill keep you up to date on any future Todd Bieber news, as he is the only celebrity that matters in 2016.

Bonus: Doug the Pug lives like Justin Bieber for a day.

• Games
• Shopping
• Entertainment
• Tech
• Life
• Digital Culture
• Social Good
• Deals

• Google 'Ask for me:' AI that calls businesses on your behalf for pricing and availability
• The Return of Münchausen: An Illustrated Adaptation
• John Berger, 1926
• Radical Flâneuserie: Reimagining the Aimlessly Wandering Woman
• Brest vs. PSG 2025 livestream: Watch Champions League for free
• Dostoyevsky’s Empathy
• On Transcribing the Lyrics to Pop Songs
• Sam Lipsyte on Mary Robison’s “Likely Lake”
• China just built the world's biggest floating solar project
• Jane Stern on the Unlikely Rise of My Pillow

• The Host by Alana Pockros
• Anne Carson Will Receive Our 2025 Hadada Award by The Paris Review
• At the Five Hundred Ponies Sale by Alyse Burnside
• Bad Dinner Guest by Laurie Stone
• Doodle Nation: Notes on Distracted Drawing by Polly Dickson
• The Measure of Intensities: On Luc Tuymans by Joshua Cohen
• Throwing Yourself Into the Dark: A Conversation with Anne Carson by Kate Dwyer
• Old Friends by Devon Brody
• I Cannot by Lucy Schiller
• Of Unicorns: On My Little Pony by Lucy Ives

• The Ideal Smartphone for 2017
• What Ever Happened to Biosphere 2?
• Sway Benns on Ballet, Gravity, and Pain
• Saint of Saints: Barry the Saint Bernard’s Heroic Life
• Obama photographer Pete Souza on Trump: 'We failed our children'
• When Franz Kafka Invented the Answering Machine
• Sending Springer Home: What It Took to Save an Orphaned Orca
• Flying Carpets: 4 Paintings by David Schorr
• Best Amazon deal: Save 20% on floral and botanical Lego sets
• On Transcribing the Lyrics to Pop Songs

• SpaceX is so close to turning its rocket headquarters into an actual city
• All the Evil Megacorporations Use the Same Architect
• The Dynamics of the City: Six Decades of Sy Kattelson’s Street Photos
• The Origins of the Tomboy in White Supremacy
• Boston Celtics vs. Dallas Mavericks 2025 livestream: Watch NBA online
• Willa Kim’s Sixty
• Reimagining Juan José Saer’s “The Witness”
• The Wonders of the Prelinger Archive
• NYT Connections hints and answers for February 5: Tips to solve 'Connections' #605.
• Distant Hammers: Notes on Art and Apocalypse